{"id":17698,"date":"2019-05-21T18:29:48","date_gmt":"2019-05-21T16:29:48","guid":{"rendered":"https:\/\/www.culturedeldissenso.com\/?page_id=17698"},"modified":"2019-10-09T08:56:45","modified_gmt":"2019-10-09T06:56:45","slug":"the-geographies-of-dissent-2","status":"publish","type":"page","link":"https:\/\/www.culturedeldissenso.com\/en\/the-geographies-of-dissent-2\/","title":{"rendered":"GEOGRAPHIES OF DISSENT"},"content":{"rendered":"

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Error: map could not be loaded - a map with the ID does not exist. Please contact the site owner.<\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” background_color=”#ededed” padding_top=”30″ padding_bottom=”30″ z_index=””][vc_column][vc_column_text]<\/p>\n

GEOGRAPHIES OF DISSENT<\/h2>\n

[\/vc_column_text][vc_separator type=”small” position=”center” width_in_percentages=”yes” color=”#e0bc36″ thickness=”14″ width=”70″ up=”10″ down=”20″][vc_column_text]The section is devoted to mapping the phenomena of literary and artistic dissent which developed in Italy, France and the USSR. It includes a filing process of the main groups and movements active on the international scene, divided into the two macro-areas identified, that is to say, the Western area<\/strong><\/span> (Italy and France) and the Eastern area<\/strong><\/span> (Soviet Ukraine, Soviet Belarus and Soviet Russia). The parameters of selection and cataloguing of the material are described in the menu item \u201cCriteria<\/a>\u201d.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” padding_top=”40px” padding_bottom=”40px” z_index=””][vc_column width=”1\/2″][vc_empty_space][vc_column_text]<\/p>\n

WESTERN AREA<\/strong><\/h3>\n

[\/vc_column_text][vc_separator type=”small” position=”center” width_in_percentages=”yes” color=”#e0bc36″ thickness=”4″ width=”70″ up=”10″ down=”20″][vc_column_text]The section is devoted to the filing process and description of a series of Italian and French movements and groups, selected on the basis of their relevance in the cultural and political panorama in which they are included, as well as the presence of a clear cultural strategy, characterized by a programmatic correlation between aesthetic production and political or social intervention.<\/p>\n

The distinction between Groups<\/strong> and Movements<\/strong> is based on the different nature of the phenomena considered. \u201cGroups\u201d are examined as structured collective formations that define themselves as such. They are characterized by common initiatives, such as conferences, events, publications (anthologies, magazines, etc.). Among the major examples of this type we can mention \u201cGroup 63\u201d in Italy and the group gathered around the magazine \u201cTel Quel\u201d in France. The \u201ccollective\u201d groups are structured collective formations that define themselves as such.<\/p>\n

Within the much wider denomination of \u201cMovements\u201d, less structured, mostly international groups are included. In this context current groups are also taken into account; an example of this phenomenon is Situationism<\/em>, the Beat phenomenon<\/em> and the Provo movement<\/em>, but also some inter-artistic experimentation movements in the field of visual poetry.[\/vc_column_text][vc_empty_space]GO<\/a>[vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_empty_space][vc_column_text]<\/p>\n

EASTERN AREA<\/strong><\/h3>\n

[\/vc_column_text][vc_separator type=”small” position=”center” width_in_percentages=”yes” color=”#e0bc36″ thickness=”4″ width=”70″ up=”10″ down=”20″][vc_column_text]This section describes the active groups and aggregation phenomena that existed in Russia, Ukraine and Belarus and belonging to the so-called \u2018second culture\u2019 (\u201cvtoraia kul’tura\u201d), that were active from the beginning of the de-Stalinization era (1956) to the collapse of the Soviet Union (1991). The records, divided by location (Leningrad, Moscow, Kiev, Minsk), are referred both to self-represented groups through the drafting of real manifestos and to more magmatic and hardly traceable aggregation phenomena.[\/vc_column_text][vc_empty_space]GO<\/a>[vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column offset=”vc_hidden-md vc_hidden-sm vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” background_color=”#ededed” padding_top=”30″ padding_bottom=”30″ z_index=””][vc_column][vc_column_text] GEOGRAPHIES OF DISSENT [\/vc_column_text][vc_separator type=”small” position=”center” width_in_percentages=”yes” color=”#e0bc36″ thickness=”14″ width=”70″ up=”10″ down=”20″][vc_column_text]The section is devoted to mapping the phenomena of literary and artistic…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-17698","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/pages\/17698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/comments?post=17698"}],"version-history":[{"count":8,"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/pages\/17698\/revisions"}],"predecessor-version":[{"id":18792,"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/pages\/17698\/revisions\/18792"}],"wp:attachment":[{"href":"https:\/\/www.culturedeldissenso.com\/en\/wp-json\/wp\/v2\/media?parent=17698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}